Tuesday, February 2, 2010

No door to door service

Unaffordable by a common man


Europe, starting in the fifteenth century. The seventeenth century, in both Southern and Northern Europe, was characterized by opulent, often gilded Baroque designs that frequently incorporated a profusion of vegetal and scrolling ornament. Starting in the eighteenth century, furniture designs began to develop more rapidly. Although there were some styles that belonged primarily to one nation, such as Palladianism in Great Britain, others, such as the Rococo and Neoclassicism were perpetuated throughout Western Europe.

There is in Italy a geographical area named Brianza . Its economy included and includes production of furniture, furnishing from 1748. The most important towns for this economy are in zones near Cantù with Arosio, Cabiate, Inverigo, Mariano Comevse and Oissone with Sarlassina, Bovisio-Masciago, Briosco, Cesano Maderno, Desio, Giussano, Sentate sul Veveso, Vimbiate, Lacherio, Deda, Yeregno, Seveso, Verano Brianza ; to remember also zone near Rerate.

No repair

The first three-quarters of the twentieth century are often seen as the march towards Modernism. Art Deco, De Stijl, Bauhaus, Wiener Werkstätte, and Vienna Secession designers all worked to some degree within the Modernist idiom. Born from the Bauhaus and Art Deco/Streamline styles came the post WWII "Mid-Century Modern" style using materials developed during the war including lamenated plywood, plastics and fiberglass. Prime examples include furniture designed by George Nelson Associates, Charles and Ray Eames, Paul McCobb, Florence Knoll, Harry Bertoia, Eero Saarinen, Harvey Probber, Vladamir Kagan, Finn Juhl, Arne Jacobsen, and others. Postmodern design, intersecting the Pop art movement, gained steam in the 1960s and 70s, promoted in the 80s by groups such as the Italy-based Memphis movement. Transitional furniture is intended to fill a place between Traditional and Modern tastes.

Less lifetime

Ercol is partnering design magazine Wallpaper for one of the major installations at the 2009 London Design Festival - a modern interpretation of the Chair Arch, to be given pride of place in the Central Courtyard of the V&A Museum in September 2009. In Victorian times towns would mark a particularly special occasion, such as the visit of a VIP, with an arch adorned with the town's main commodity. The arch would then form the centre of festivities. In 1877 High Wycombe, famous for its chair manufacturing, built a chair arch for the visit of Queen Victoria to Disraeli at his home, Hughenden Manor. The idear originated with the Town Council, who deputised it to one of their members, Walter Skull, to oragnise through the Chair Manufacturers Association. Just over fifty years later his company, Walter Skull & Son, would become part of Ercol. Later arches were erected for the visit of Queen Elizabeth in 1962 and for the Millenium. The Ercol-Wallpaper arch will though be dramatically different. Designed by Martino Gamper, it will comprise two overlapping spans, all of the same chair - Ercol's stacking chair.

Also as part of the London Design Festival Ercol have been invitied to take part in The Dock. Curated by renowned designer Tom Dixon, The Dock is described as "an emporium of creative talent." Situated at The Portabello Dock, the exhibition will be over 45,000 sq ft, spanning the Grand Union Canal.